Grantchester Meadows

When the English poet and Cambridge alumnus Rupert Brooke was homesick and depressed in Germany in 1912, he wrote a nostalgic, light-hearted poem about one of Cambridge’s gems:

. . . would I were
In Grantchester, in Grantchester! —
Some, it may be, can get in touch
With Nature there, or Earth, or such.
…I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .

God! I will pack, and take a train,
And get me to England once again!
For England’s the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.

(from “The Old Vicarage, Grantchester”)

Brooke proceeds to comically badmouth every other village in the vicinity of Cambridge based entirely on what insults rhyme with their names.[1] It makes an interesting timepiece, to recognize the names of villages that have now been subsumed as neighborhoods of the City of Cambridge (Madingley, Cherry Hinton, Ditton…). Grantchester, however, is one village that has kept its geographical identity, still tiny and discrete on the banks of the River Cam amidst fields and college sports greens. Nevertheless, it is very closely linked with Cambridge, not least by the steady flow of joggers and dog-walkers along the two-mile footpath that runs beside the River Cam from Cambridge to Grantchester. Much more could be said about Grantchester, the village— its medieval church, its pubs, its tearoom, its namesake detective show I got my family hooked on after witnessing its fourth season being filmed in town—but it’s the path to Grantchester I want to write about for now. The path ambles through the idyllic chain of green where Brooke wanted to lie “flower-lulled in sleepy grass”: Grantchester Meadows.

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Hobson’s Conduit and Nine Wells

Waterways have an inherent sense of story—they bring elsewhere to you, following a path with a volition beyond your own, and tacitly invite you to find out where from and where to. Here’s one: Hobson’s Conduit, a stream dug in 1610 from chalk springs out in the fields to the heart of Cambridge, still flowing and steeped in city lore. When a retired Cambridge professor told me about the walk along the Conduit’s length from city center to source at Nine Wells Nature Reserve, I tucked the captivating idea away in my to-walk list. Although I inadvertently walked partway on the inviting public footpath once, it took me a while to pick up the trail again.

Boxing Day 2020: gray and brisk but not raining or freezing; paths still muddy and fields flooded after the storm two days before Christmas. Looking for a way to pass an afternoon with a friend on the first day of renewed Covid lockdown, I suggested the walk to Nine Wells.

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Newnham College Garden

A common misconception I encounter when I tell people that I study plant ecology is that I must know all about gardening. In fact, I have to reply, I don’t have much of a green thumb. Ecology isn’t horticulture, and although I love observing plants in their natural habitats and other people’s gardens, I haven’t yet had the space or patience to work out what keeps plants happy in my own plot of soil. I feel vaguely guilty about this—it seems I should have more interest in the real-time lives of plants. And yet my intentions to get into gardening have yet to become more.

So it was both par for the course (albeit in a backwards way) and perhaps a sign when, a few weeks ago, I was stopped in the Newnham Porters Lodge by a passing staff member with a question. She had heard my flatmate and me talking and asked tentatively if we were American, and this may be a strange question but did we know anything about plants? (We had not been talking about plants.) She went on to say that the Development Team were making a video for North American alumnae and they needed American students to help interview the head gardener, ask about American plants, etc; might we be interested? My flatmate was bemused by the fragmented request, but I, although still not entirely sure what she was asking for, said, “Actually, yes, I study plant ecology, and sure, why not?” Followed by the usual caveat about horticulture.

A few days later I got an email from an enthusiastic project director, Beth, who explained the video was a virtual college tour for US and Canada-based alumnae for the 150th College anniversary, and that this was the first project she was directing herself and she was so excited, but wanted to give me an opportunity to say no—but I assured her I was happy to help. Hobnobbing with the head gardener sounded like fun, and in any case, it should make a good story.

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The Secret Life of Cherry Hinton Chalk Pits

Near the edge of Cambridge, in Cherry Hinton, is a stealthy nature reserve. The only hint of the place from the street is the fence threaded with green. That’s not such an uncommon sight in Cambridge, where hedges and trees screen a lot of things from view. These particular barriers don’t seem to hide much—there’s a narrow tangle of trees but no sense of deepening beyond them as you might expect in a nature reserve. Many people, I suspect, zoom past without an inkling that anything is there, as I would have despite attending church less than a block away every week.

But I’ve been tipped off. After church one Sunday I go looking for an entrance, a place to stash my bike, a wooden gate and descending steps into the green. I enter another dimension—one of several tucked into Cherry Hinton Chalk Pits.

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Ascension Parish Burial Ground

A graveyard in England is rife with life. Even in October the graveyard is green. Soil rarely shows, shrouded by a tangle of grass in all stages of growth and senescence, leaves of so many different shapes they lose definition to human eyes, tough stems and new stems, shocks of roots, crowds of brambles, clumps of moss, and even now, flowers, little white clusters of yarrow. In the spring there are snowdrops and daffodils. Under the plants are crawling things, and in the trees are flying things. Footpaths are worn over grass or blanketed in rust-colored yew needles (death-dealing if you eat them); headstones are skew like Jack-o’-lantern teeth with a green patina of age and the steady crawl of ivy. If the Friends of the Ascension Parish Burial Ground didn’t have their monthly work parties to keep the life at bay, within months, perhaps, you wouldn’t know there were any dead kept and remembered here on All Souls’ Lane.

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South Island, NZ

Dec 1-5, 2019 catchup, Christchurch

I went to the New Zealand Ecological Society conference, held on the campus of an agricultural college just outside of Christchurch in Lincoln, largely because my supervisor was going and it was him I was coming to the South Island to see. I wasn’t giving a talk or going for a particular session; instead I saw it as a chance to sample different foci and ecosystems—eg the Braided River ecosystem, which had a whole session. I didn’t mind missing an entire afternoon of the conference to explore Christchurch one day.

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Wellington pt. 2: Treasure Box

Nov 25-27

After a few days of watching presentations and talking to other scientists about Australasian plants and their classification and evolution(and eating really good food), as well as giving my own presentation about hebes, I took some time to wander around the Te Papa museum. Te Papa Tongarewa, the full name of the msueum, means Our Place in Māori (I’ve also seen it translated roughly as “treasure box”) and is the national museum of New Zealand, showcasing cultural and natural history. There’s a lot to learn about indigenous Māori culture and history—and in general on this trip I came to appreciate how visible and respected this culture is in New Zealand. There was also an excellent new exhibit put on by the Natural History department called Te Taiao Nature, spotlighting New Zealand’s flora and fauna and geology. In addition to the visible exhibits, the museum is a repository for collections of natural and cultural specimens, including an entire herbarium of preserved NZ plants. This is actually where most of my hebe specimens came from for my research (I extracted DNA from little leaf fragments taken from the original specimens). There are lots of people working behind the scenes, curating the collections and doing research on them, including my excellent collaborator who sent the specimens.

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Hello again (+ Wellington, NZ, part 1)

It’s been a while. Perhaps a predictable while, for a blog started with good intentions, but complicated by circumstances, given that it’s a place-based blog. During the year since my last blog post, I was only in Cambridge five scattered months, split up by a month-long trip to New Zealand and a few weeks at home in the US for the holidays, and then cut short by the slapdown so many countless people have experienced in the wake of the COVID-19 pandemic. In mid-March, in about the span of a week, I went from anticipating the burgeoning spring, walks on the fen, and concerts in college chapels, to packing up my room, booking a flight home, and leaving Cambridge for the foreseeable future. Although I didn’t know how long I would need to hunker down at home, I had a feeling it would be months. Unlike many of my friends on year-long programs, however, I was fairly confident I would be back, and only had to mourn the probable loss of a season or two in Cambridge.

Now I have a return flight to Cambridge booked for September, almost exactly 6 months from the day I left. Although the future is no more certain than it was when I left, I feel the need to grasp the Cambridge time slipping inexorably by. It won’t be quite the same Cambridge—one of the reasons it didn’t feel impossible to leave in the first place—but the cultural-physical landscape of millennia is still there.

I also feel the need to keep constructing my little word-lenses for what I can still access of that landscape, as well as for what I remember of the pre-COVID Cambridge which never made it onto this blog (some of which is sitting in half-finished posts already). The urge to write that I described in my first post has never gone away–just gotten a little held up in execution. So I’ve made a goal to start posting regularly again, long or short, every two weeks, as of now on Saturdays.

Meanwhile, I thought I’d give a little taste of the places I’ve lavished my place-love on when I haven’t been in Cambridge over the last year.

Today, how about some New Zealand?

Me hugging a hebe in New Zealand
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G. David, Bookseller

Part I: A quest for nature books

In St. Edward’s Passage, one of the many stone-and-cobble folds of the Cambridge city centre off of the teeming King’s Parade, there is a secondhand bookshop that is exactly what you would expect a Cambridge bookshop to be. Looking over the little jungle-y churchyard of St. Edward King and Martyr Church, an unassuming but functional blue awning announces in bold letters G. DAVID, EST 1896, and a few outdoor shelves, crates, and display windows announce a clutter of books. Entering puts you in a bookshelf sandwich. You are pressed breathtakingly close to dozens of dashing and eclectic strangers; breathing books, inhaling titles. (The same could be said about your proximity to the other patrons dancing past you in the between-bookshelf space.) The first glimpses on my first visit were enough to put me in a literary swoon—poetry by Ted Hughes, contemporary fiction, something called Treasured Island: A Book Lover’s Tour of Britain, Ursula K LeGuin, Dickens, Darwin. There were quirky posters and postcards pinned to the wall, black and white photos of historical David’s Bookshop milestones, photos of notable people with G. David bags (including Michelangelo’s David), and an envelope addressed only to “David’s Bookshop, The Passage, Cambridge” with a sticky note proudly announcing that it found its way here. And there were more rooms, and a downstairs. (No photography allowed, or I would have eaten it all up in my camera.)

Needless to say, I left with more books than I had come to buy.

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